Welcome to my site of Literary Criticism— where I write essays and analyze the works of the “Author” standing at the intersection of literature, theology, and the moral imagination - written from the conviction that the deepest tensions in great literature are not merely artistic or philosophical, but theological, arising from Genesis 3:15, where the moment of loss, the recognition of consequence, and recovery is believed achievable in the bypassing of the redemption it offers.
These essays pursue that fracture through Wells, Chesterton, Lewis, Ellison, and the wider archive of the Western literary tradition.
The project is intentionally curated and exploratory in character: less a platform for discourse than an extended meditation carried out in public. Each essay includes a comment space where biographies, arguments, suggestions, and related ideas are welcome. Occasional invited contributions may also appear in conversation with the larger work.
From the Archive • Featured Reading
Richard Matheson • 1956
The Incredible Shrinking Man
Relinquishing to Moral Capital
Wells made a man invisible and watched him become a monster. Matheson shrank a man to the subatomic and found him still capable of wonder. Both used physical impossibility to ask what remains of a human being when everything external is stripped away — and arrived at incompatible answers.
Wells’s answer was appetite. Matheson’s answer was to God there is no zero — the vision Wells’s materialism made structurally impossible: a universe in which smallness cannot extinguish worth, in which the image of God persists below the threshold of measurement.
New essays and archive entries are added regularly. Enter your email to be notified when new work is published — nothing else.
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TLA Podcast • Episode 1
Introduction to the Literary Apologetic
Ep. 2: Genesis 3:15 and the Shape of Every Story — Coming soon
View all episodes →
A database of literary and cinematic responses to the works of H.G. Wells — tracking the writers and filmmakers who could not stop arguing with him.
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Literary Theology • Oxford
C. S. Lewis
The most important Christian apologist of the twentieth century who demonstrated that the literary imagination and the theological argument are not competitors but partners. His books on Christianity and fiction remain the standard for what this tradition can produce.
“What strikes me about Wells is not his optimism but its fragility.”
Literary Theology • Essay
Alan Jacobs
Cultural critic, Baylor University. The most serious living heir to C.S. Lewis as a literary-theological essayist. His The Narnian and Breaking Bread with the Dead demonstrate what it looks like to read literature as a Christian without reducing it to a sermon.
“To read is to be changed, or it is nothing.”
Fiction • Literary Theology
Marilynne Robinson
Pulitzer Prize-winning novelist. Her Gilead trilogy is the finest body of theologically serious literary fiction produced in English in the last fifty years — Calvinist in its theology, Midwestern in its texture, universal in its reach.
“This is an interesting planet. It deserves all the attention you can give it.”
Fiction • Catholic Imagination
Ron Hansen
Novelist and Jesuit deacon. Mariette in Ecstasy and Atticus place him in the tradition of Flannery O’Connor and Graham Greene — writers for whom grace operates through the most ordinary and the most violent of human circumstances.
“Fiction at its best is an act of love toward the reader.”