The Literary Apologetic
The Literary Apologetic Argument • W.E.B. Du Bois

Double Consciousness and the Divided Self

Du Bois and the Color Line

“One ever feels his two-ness — an American, a Negro; two souls, two thoughts, two unreconciled strivings.”— The Souls of Black Folk

Double Consciousness and the Divided Self
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The Argument

Double Consciousness and Its Theological Depth

Double consciousness is Du Bois’s term for the condition of “always looking at one’s self through the eyes of others, of measuring one’s soul by the tape of a world that looks on in amused contempt and pity.” It is the condition of a person whose self-understanding is fractured by the necessity of seeing themselves as the dominant culture sees them — as less than fully human, less than fully worthy of the dignity that is their due.

This is a precise description of the Fall’s effect on human identity: the fracturing of the self that occurs when a human being is denied the recognition that the image of God in them demands. Du Bois located this fracturing in the specific historical experience of Black Americans. TLA argues that its root is deeper: in the condition of every human being who has been denied the recognition that the Creator’s image in them requires.

Close Reading

What The Souls of Black Folk Reveals

The book’s most celebrated passage describes the sensation of the veil — the barrier that separates Black Americans from the full participation in American life that their humanity demands. The veil is not merely a social fact but a spiritual one: it distorts the vision of those on both sides of it, preventing the white American from seeing the full humanity of the Black American, and forcing the Black American to see themselves through the distorting glass of the white gaze.

What Du Bois calls for — the tearing of the veil, the achievement of a wholeness in which the two-ness is resolved into a unified self — is what TLA recognizes as the restoration of the image of God: the condition of the human being who is seen, truly and fully, by the God who made them.

Resistance as Testimony

The Seed of the Woman

Genesis 3:15 describes a conflict in which the seed of the serpent includes every form of the denial of the image of God in human beings. The color line that Du Bois named is one of the most systematic such denials in American history, and his life’s work is one of the most sustained resistances to it.

His trajectory — from the measured hope of The Souls of Black Folk to the bitter disillusionment of his final years, his renunciation of American citizenship and his death in Ghana at ninety-five — is the trajectory of a man who looked for the wholeness his concept of double consciousness demanded and could not find it in the America he had given his life to. The resolution he sought requires the healing that only the seed of the woman can accomplish. He was right about the wound. He was looking for the right cure.

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Discussion

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